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SKOTO
GALLERY 529 West 20th Street, 5FL.
New York, NY 10011 212-352 8058
Obiora
Udechukwu
New
Works
June
1st -
July
20th, 2006
Reception: Thursday,
June 1st,
6-8pm
Skoto
Gallery is pleased to present
Obiora
Udechukwu
: New Works,
an exhibition of recent drawings, paintings a nd
prints. The reception is on Thursday, June 1st,
5-8pm
and there will be
performances by Nwakego (soprano) with accompaniment by
Aya
Kato
(keyboard) as well as
story-telling with musical accompaniment by
Oma
Chukwurah-Orezabo
. The renowned Nigerian
author
Chinua
Achebe
is the guest of honor.
Obiora
Udechukwu
, one of the most
influential contemporary artists from
Nigeria
for several decades, is a
visual lyricist, a poet whose mastery of the line and drawing is beyond
compare. Since the early 1970s, Udechukwu has been
a leading member of the
Nsukka
School
– known for
experimentation with traditional Igbo Uli mural
and body design. In the late 1970s he became interested in watercolor and
Chinese calligraphy, particularly in the juxtaposition of text and image, but
also in the lyrical power of lines deployed with brush and calligraphic pen.
The combination of visual elements and design sensibilities from Uli
and Chinese drawing, in addition to motifs adapted from Nsibidi
signs from southeastern Nigeria results in drawings that powerfully dramatize
negative and positive spatial tensions, the dialogue of delicate and strong
lines, and the dialectic of poetic and dark subject matter. Since the past
decade, Udechukwu has included texts written in
longhand in English or Igbo in his compositions. When they occur, the texts
serve as textural – in other words as design -- elements in the
drawings, but he also relies on them to extend or complicate the idea or
message already suggested by the drawn image.
The
lyrical beauty of Udechukwu’s drawing often
belies its deep social commitment. His work has focused at various times on
the military dictatorship, official corruption, and the economic devastation
wrought by the IMF’s Structural Adjustment
Program in
Nigeria
. Thus, in his drawings
and installations he has incorporated passages from writings by major Nigerian
public intellectuals, including
Achebe
,
Soyinka
, lyrics from the songs of
Fela, and extracts from his own poems. Although
the texts can often be read quite easily, sometimes they are either illegible
or incomprehensible because they are repeated over and over, or adjoined
without regard to normative lexis and structure, thereby withholding or
deferring their communicative power.
In
the drawings presented in this show, Udechukwu
uses graphite with such subtlety that reveals the incredible possibilities of
the medium. Soft fields of gray become backgrounds for abstract Uli
motifs, or strong quirky lines tempered by thin lyrical or swirling ones. From
these emerge cosmic elements, animals and plant forms, masks and portraits
that, when read, reveal subtly powerful commentaries on contemporary Nigerian
and global politics.
Jamaica
Center for Arts & Learning

Mother Tongue
March 18 - June 10,
2006
Artist
Reception & Info Session: March 17, 7 - 9 pm
2-Part
Artist Workshops: April 22, 5 - 7pm & May 13, 5 - 7pm
JCAL
seeks artists to create works in visual dialogue! This unique
exhibition
is designed for interaction and participation. Your work
can
be included in dialogue at JCAL’s gallery during the exhibition.
Here
is how it works:
1.
To sign up, come to the March 17 reception. You will receive
formatted
paper on which you can draw your imaginative
response
to the works on view.
2.
Return your drawings on April 22, and discuss your vision. You will
receive
a wooden panel on which you can develop your initial
idea
into a painting or low-relief sculpture.
3.
Bring the completed work to the gallery on May 13. Share your
experiences
of creating your work. We will add your work on the
wall
and engage in a dialogue.
4.
On June 10, pick up your work and brainstorm about furthering
the
dialogue in your community.
Mother
Tongue is an ongoing participatory art dialogue. Two Massachusetts
artists
started Mother Tongue in 1991. Today, it is a national
project
with more than 350 works by 150 artists. The gallery is set in
a
workshop environment, allowing visitors to create their works in
dialogue
with other works on exhibition. JCAL will host Mother
Tongue
to engage constituents in a dialogue with contemporary art.
For
more information, go to: http://isis.hampshire.edu/mothertongue/.
Gallery
Hours: Monday - Saturday, 10 am - 5 pm
The
Jamaica Center for Arts & Learning is housed in
a landmark
building
owned by the City of New York and supported, in part, by
public
funds from the New York State Council on the Arts, a state
agency;
the New York City Department of Cultural Affairs with
support
from Mayor Michael R. Bloomberg; Cultural Affairs
Commissioner
Kate D. Levin; the New York City Council; Council
Speaker
Christine Quinn; the Queens Delegation of the Council;
Majority
Whip, Councilman Leroy Comrie; and Queens Borough
President
Helen M. Marshall.

515 Malcolm X Boulevard
New York, NY 10037-1801
(212) 491-2200
Hours and Directions
National
Museum of African American Cinema, Inc. and the New York State Black Films &
Video Archives, Inc., presents
JUNE
17,
2006
RARE BLACK VIDEO AND DVD FAIR
SAT.,
June 17, 2006
10AM until
7:00pm
ONLY!!!!
Adam Clayton Powell, Jr. State Office Bldg
163 West.125th Street @7th Ave
New York, New York
FREE ADMISSION
ALL INVITED
212-749-5298
Photographers'
Perspectives on Global Warming
The show features the
work of five photographers on the Sections
of the show will focus on melting glaciers,
rising sea levels in
Tuvalu
, drought in
Chad
, melting
permafrost in
Alaska
, the way scientists study
global
warming, and a special section on how global warming
will affect the
United States
. The
photographers' work shows the extent to which global warming is occurring in
every part of the world and the people it is already affecting.
Photographers:
Gary
Braasch: A veteran wildlife photographer whose
book on the effects of global warming, Earth Under
Fire, will be released by
University
of
California
Press next year.
Ashley
Cooper: A
freelance photographer focusing on
global warming, based in
Ambleside
,
UK
.
Peter
Essick: A veteran photographer for National
Geographic whose work focuses on environmental issues.
Peter's byline has appeared in the magazine more than
fifty times.
Cedric
Faimali: A photojournalist with the French
collective,
Argos
.
Joshua
Wolfe: A freelance photographer based in
Brooklyn
who has focused his work on
global warming.
He is the coordinator of this show.
The Studio Museum Harlem
Current Exhibitions
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Howardena Pindell
Untitled #23, 1974
Courtesy of Sragow Gallery, New York
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On view: April 5 – July 2, 2006
Energy/Experimentation: Black Artists and Abstraction, 1964–1980
In the Spring of 2006, the Studio Museum will present Energy/
Experimentation: Black Artists and Abstraction, 1964–1980, group
exhibition guest curated by Dr. Kellie Jones. Energy/Experimentation
explores the strong voice of abstract art-making that developed during the
second half of the 20th century. Working in both painting and sculpture this
group of artists committed themselves to innovation in structure and materials.
While figuration of the 1960s and 1970s is well known through the works of
Romare Bearden, Betye Saar or artists connected with the Black Arts Movement
(focus of the groundbreaking SMH show Tradition and Conflict (1985), less
explored abstractionists such as Sam Gilliam, William T. Williams, Al Loving,
Joe Overstreet and Howardena Pindell, were steadfast in their use of
non-objective visual language. Energy/Experimentation will present the
painting and sculpture of 15 artists whose work challenged artistic technical,
and social boundaries and assumptions during this period.
Harlem Postcards
Throughout the twentieth century, Harlem has been regarded as a beacon of
African-American culture. Sites such
as the Apollo Theater, the Abyssinian Baptist Church and Malcolm X Corner at
125th Street serve as popular postcard images that identify historic moments and
places. Today, Harlem continues to expand as a center of cultural and historic
activity, and in the fall of 2002 The Studio Museum in Harlem launched an
ongoing series that invites contemporary artists of diverse backgrounds to
reflect on Harlem as a site for artistic contemplation and production. Installed
in the lobby and available in the bookstore, these postcards will represent
intimate views and perspectives on Harlem. Artists in this series include Rina
Banerjee, Candice Breitz, Lyle Ashton Harris, Adam McEwen.
This project is generously supported by The Horace W. Goldsmith
Foundation.
144 West 125th Street
New York, New York 10027
Tel:212-864-4500
fax: 212-864,4800
In the Wake of Tradition: Encountering
America
among
Bolivia
's
Highland
Farmers
Photographs
by Evan Abramson
"For many of the individuals and
communities involved, these photographs are the first and only attempt anyone
has made to communicate with them for the purpose of expressing their lives--or
something of their collective life experience: as a culture, a
community or a living history: some of the oldest and most anciently rooted
living histories of the Americas, incarnations of those most original of
American civilizations."
Evan Abramson's rare, highly intimate vision of the Bolivian Andean
indigenous draws its closeness from over two years of life among the rural
farmers of
Latin America
. In the Wake of Tradition explores the concept
and identity of
America
in the context
of
South America
's cultural
history, related through the present-day traditions of isolated indigenous
communities and the lives of their members within the rugged, rural zones of
some of the highest inhabited parts of the
Andes
.
www.evanabramson.com
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